Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.
Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...
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“He’s Not Going To Throw You A Fastball Over The Plate”: Presence Composer Zack Ryan Talks Working With Steven Soderbergh On The Auteur’s Foray Into HorrorScreenRant interviews Presence composer Zack Ryan about his experience working on beloved director Steven Soderbergh’s unique ...
The blowout success of 1999’s The Blair Witch Project really did a number on the horror genre. It wasn’t the first faux-found ...
Stephen Soderbergh’s Presence takes a step outside the haunted house genre with the bold choice to tell the story from the ...
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
I knew almost nothing about Presence before I went to see it. I hadn’t seen a trailer or read a plot description or reviews.
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Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop bleeding. Happily, Steven Soderbergh’s latest film, “Presence,” gets ...
Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character.
Producer Ken Myers, screenwriter David Koepp, producer Julie M. Anderson, and director Steven Soderbergh pose at the "Presence" premiere. Producer Ken Myers, screenwriter David Koepp, producer ...
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