and in particular his version of Leonard Cohen’s “Hallelujah”, came to be celebrated. It’s Never Over, Jeff Buckley was an emotionally intense project for Berg, taking 15 years to make.

Ten years after her Janis Joplin bio-doc, Janis: Little Girl Blue, director Amy Berg returns to the music world with It’s Never Over, Jeff Buckley, an adoring portrait of another blazing talent ...

Told in part from the perspective of the women the late singer-songwriter loved, the doc draws on interviews, rare performance clips, previously unseen footage and intimate recollections.

During the movie, Buckley’s friend Ben Harper talked about how Jeff’s particular interpretation of Leonard Cohen’s “Hallelujah” set him apart from your usual pretty-guy-who-rocks-out ...

Brad Pitt once explored the possibility of starring in a biopic about Jeff Buckley — a talented and promising musician who ...

Prior to his Sin-é exposure, Buckley’s first public performance in New York was at a starry 1991 tribute concert to his father, folk rocker Tim Buckley, who had left Guilbert when Jeff was 6 ...

Documentarian Amy Berg used a series of extended voicemails to build a moving portrait of the mercurial ’90s singer-songwriter: “His songs got me through every difficult moment in my 20s.” ...

“It’s Never Over, Jeff Buckley” doesn’t reinvent the documentary genre, but it does offer a unique perspective on the varying music of the 1990s, an experimental time where lonely artists like Buckley ...

Buckley spoke about the inspiration for Lover, You Should’ve Come Over on occasion during his 1995 tour. He mentioned the ...