The New Criterion
A monthly review of the arts & intellectual life. Operating The New Criterion and attendant events are the sole activities of the Foundation for Cultural Review, a 501(c)(3) organization as defined by the Internal Revenue Service.
Dispatch | The New Criterion
3 days ago · by. the Editors. On falconry, Lord Byron, Soumya Netrabile, the OneMusic Project & more from the world of culture. October 7, 2024.
“Lethière at the Clark,” by Karen Wilkin
At fourteen, as the only surviving male child after the death of his legitimate siblings, the emancipated Guillaume accompanies his father to France, where he will spend the rest of his life. He will later be officially recognized by his father, winning the right to inherit and to use the family name “Guillon,” but he will be known to art ...
“Tocqueville versus progressive democracy,” by Daniel J. Mahoney
Daniel J. Mahoney. On intellectual elites in a democracy. Editors’ note: “Democracy in America: a symposium” examines the status of popular sovereignty in the United States today, nearly two centuries after the seminal work of the political theorist Alexis de Tocqueville. Other participants include Roger Kimball, Victor Davis Hanson ...
Poetry Prize Submissions | The New Criterion
The Editors are pleased to receive submissions for the twenty-fourth New Criterion Poetry Prize, given annually to a book-length manuscript of poems that pay close attention to form. A $25 entry fee is required for each submission. Manuscripts are not to exceed sixty pages in length and should be formatted as a PDF or Word document.
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Hilton Kramer Fellowship | The New Criterion
2024–2025 Suzanna Murawski. Suzanna Murawski is the twelfth and current Hilton Kramer Fellow at The New Criterion.She recently graduated from the University of Chicago, where she received a B.A. from the Fundamentals program and an M.A. in political philosophy. She has written on Western art, Hannah Arendt, Augustine of Hippo, and Jean-Jacques Rousseau.
Balanchine’s castle | The New Criterion
This winter, Jewels reappeared in New York City Ballet repertory the way it does every few years, like a mirage of overwhelming majesty, a floating castle set amid fairy forests and ancient icecaps, a castle guarding its secrets. 1 The night before the first performance, NYCB held a seminar on Jewels for its Guild members. Dancers from the ballet’s premiere on …
“Our Athenian American Democracy,” by Victor Davis Hanson
Victor Davis Hanson is a Senior Fellow at the Hoover Institution, Stanford University, and the author of The Second World Wars (Basic Books). He is The New Criterion ’s Visiting Critic for the 2021–22 season and the 2018 recipient of the Edmund Burke award. This article originally appeared in The New Criterion, Volume 43 Number 2, on page 9.
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